Douglas Hegley, Minneapolis Institute of Art, USA, Andrew Serong, Australian Centre for the Moving Image, Australia, Andrew David, Minneapolis Institute of Art, USA, Meaghan Tongen, Minneapolis Institute of Art, USA, Kjell Olsen, Minneapolis Institute of Art, USA
Published paper: Ticketing 2017: Two new projects take on complex challenges
Museums and cultural heritage organizations wrestle with ticketing systems, finding it hard to access the data, apply complex discounting, and maintain brand experience. In 2017, two organizations took on innovative approaches to solve some of these problems. The Australian Centre for the Moving Image (ACMI) developed a new ticketing site internally, a Web product called Museum Nice and Simple Ticketing (MNST). Its key concept: a cart-less and login-less experience. Also in 2017, the Minneapolis Institute of Art (Mia) launched a new ticketing and transaction platform called Hive which uses an open source Web-standard approach to run transactions and work seamlessly with customers’ membership records in Salesforce. Both institutions recognize the complexity and stress of developing these systems. And yet, both ACMI and Mia took this route. The session will explore key details of each project, including the following:
– Why a ticketing project? What problem(s) were we trying to solve?
– How each platform was built;
– Similarities/differences between the organizations and projects;
– Integration—the word that scares all technologists.
This session is designed to be meaningful and useful for a number of different MW attendees, from senior decision-makers to software developers and the staff who spend their days working directly in ticketing and transaction systems. Attendees will learn real-world information about the technology, code base, APIs and UI/UX of each system. Attendees can expect an open discussion and active debate about the “best way to do this”—after all, not every organization can or should take the same approach. Attendees will take away practical knowledge about business systems, software development, and transaction processing that can be applied to their own organizations and professional careers.
Pan, Diana, & Manish Engineer. (2015). “The 360-Degree View: Why an Integrated CRM Platform Is Important in Growing a Museum’s Membership Program.” MWA2015: Museums and the Web Asia 2015. Published August 21, 2015. Consulted September 22, 2017. Available http://mwa2015.museumsandtheweb.com/paper/the-360-degree-view-why-an-integrated-crm-platform-is-important-in-growing-a-museums-membership-program/
Pan, Diana, Manish Engineer and Rich Cherry. "Enabling mobile point of sale for museum staff." MW2016: Museums and the Web 2016. Published January 29, 2016. Consulted September 22, 2017. Available
Serong, A. “Museum Nice and Simple Ticketing — front-ending Tessitura” Published September 21, 2017. Consulted September 26, 2017. Available
Walter, M. “Our new ticketing website” Published December 16, 2014. Consulted September 27, 2017. Available https://labs.cooperhewitt.org/2014/our-new-ticketing-website/
Winesmith, K., Open systems, loosely coupled: Creating an integrated museum eCommerce system for the MCA. In Museums and the Web 2013, N. Proctor & R. Cherry (eds). Silver Spring, MD: Museums and the Web. Published January 31, 2013. Consulted September 22, 2017. Available http://mw2013.museumsandtheweb.com/paper/open-systems-loosely-coupled-creating-an-integrated-museum-ecommerce-system-for-the-mca/